{"id":98423,"date":"2022-11-04T12:39:36","date_gmt":"2022-11-04T11:39:36","guid":{"rendered":"https:\/\/www.acosopov.com\/reading-room\/%d0%bb%d0%b8%d1%80%d0%b8%d0%ba%d0%b0\/"},"modified":"2026-01-17T17:00:52","modified_gmt":"2026-01-17T16:00:52","slug":"poetry-shelf","status":"publish","type":"page","link":"https:\/\/www.acosopov.com\/en\/reading-room\/poetry-shelf\/","title":{"rendered":"Poetry Shelf"},"content":{"rendered":"\n

\n\t\t\tPoetry Shelf\t<\/h1>\n\t

In this section of the Reading Room of\u00a0Aco\u00a0\u0160opov’s<\/a>\u00a0Lyrical House<\/a>, you will find a wide selection of poems of the Macedonian poet translated into English, in the vast majority of cases, by Christina E. Kramer and Rawley Grau, published in The Long Coming of the Fire<\/em><\/a>.<\/p>\n\t

Direct access to a selection of the most famous \u0160opov’s poems\u00a0<\/a><\/h2>\n\t

Poems translated into English
\nby poetry collection<\/h1>\n

-the poems whose titles are in Macedonian have not been translated into English-<\/p>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov : The Tree on the Hill, 1980\n

\n\t\t\tThe Tree on the Hill, 1980\t<\/h2>\n\t

THE TREE ON THE HILL<\/p>\n\u041e\u0437\u0434\u0440\u0430\u0432\u0443\u0432\u0430\u045a\u0435 \u043d\u0430 \u0431\u043e\u043b\u043d\u0438\u043e\u0442<\/a>
\n\u041a\u043b\u043e\u0448\u0430\u0440\u0441\u043a\u0430 \u043f\u0435\u0441\u043d\u0430 \u043d\u0430 \u043f\u043e\u0435\u0442\u043e\u0442<\/a>
\nOf the Oldest and Purest Sunlight<\/a>
\nThe Sun and the Body<\/a>
\n\u0422\u0435\u043b\u043e\u0442\u043e \u0435 \u043d\u0435\u043f\u043e\u0434\u0432\u0438\u0436\u043d\u043e \u0430 \u043a\u0440\u0432\u0442\u0430 \u043d\u0435 \u043c\u0438\u0440\u0443\u0432\u0430<\/a>
\nThe Home of the Dream<\/a>
\nI Sit Alone with My Flame in My Breast<\/a>
\nThe Tree on the Hill<\/a>\n

A NEST IN THE WAWES<\/p>\n\u0421\u0435\u043a\u0430\u0432\u0438\u0446\u0438 \u043d\u0430\u0434 \u0428\u0430\u0440\u0430<\/a>
\n\u0414\u0432\u0435 \u0440\u0430\u0446\u0435<\/a>
\n\u041a\u0430\u043a\u043e \u043d\u0430\u0458\u0443\u0431\u0430\u0432\u0438 \u043a\u0430\u0442\u0440\u0435\u043d\u0438 \u043e\u0434 \u043d\u0430\u0440\u043e\u0434\u043d\u0430\u0442\u0430 \u043f\u043e\u0435\u0437\u0438\u0458\u0430<\/a>
\nA Nest in the Waves<\/a>\n

THE LAKE OF LIFE<\/p>\n\u0415\u0437\u0435\u0440\u043e \u043d\u0430 \u0436\u0438\u0432\u043e\u0442\u043e\u0442<\/a>
\n\u0412\u043e \u0435\u0434\u0435\u043d \u043e\u0434 \u0446\u0435\u043d\u0442\u0440\u0438\u0442\u0435 \u043d\u0430 \u041f\u0430\u0440\u0438\u0437<\/a>
\n\u041f\u0430\u0442\u0443\u0432\u0430\u045a\u0435 \u0432\u043e \u0440\u043e\u0434\u043d\u0438\u043e\u0442 \u043a\u0440\u0430\u0458 – \u0441\u0440\u0435\u0434\u0431\u0430 \u0441\u043e \u0441\u0432\u0435\u0442\u043e\u0442<\/a>\n

***<\/p>\nAfterword by Eftim Kletnikov\u00a0<\/em>
\n(In Macedonian)<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: The Song of the Black Woman, 1976\n

\n\t\t\tThe Song of the Black Woman, 1976\t<\/h2>\n\t

WOMAN IN THE RAINY SEASON<\/p>\nThe Baobab<\/a>
\nInto the Black Woman’s Dream<\/a>
\nBefore the Flamboyants Bloomed<\/a>
\nWoman in the Rainy Season<\/a>\n

GAZING AT THE OCEAN<\/p>\nAn Event by the Lake<\/a>
\nGazing at the Ocean<\/a>
\n\u0412\u043e \u0428\u0442\u0438\u043f \u0438 \u0432\u043e \u0416\u043e\u0430\u043b<\/a>
\n\u041d\u0430 \u0442\u0438\u0435 \u0431\u0440\u0435\u0433\u043e\u0432\u0438 \u043d\u0435\u043c\u0430 \u043d\u0438 \u043c\u0438\u0440 \u043d\u0438 \u043f\u043e\u0447\u0438\u043d\u043a\u0430<\/a>
\n\u0412\u043e \u0442\u0432\u043e\u0458\u0430\u0442\u0430 \u043f\u043e\u0435\u0437\u0438\u0458\u0430 \u0436\u0443\u0431\u043e\u0440\u0430\u0442 \u0431\u0438\u0441\u0442\u0440\u0438 \u0432\u043e\u0434\u0438<\/a>
\n\u0422\u0435 \u0441\u043f\u043e\u043c\u043d\u0430\u043c \u043b\u0438<\/a>\n

THE LIGHT OF THE SLAVES<\/p>\nThe Light of the Slaves<\/a>
\nhere my providence has led me<\/a><\/em>
\ngazing at the sun<\/a>
\nwith eyes fixed on Africa<\/a><\/em>
\nthe power of the tom-tom<\/a>
\n<\/em>in the eyes of the Signares<\/em><\/a>\n\u041f\u0435\u0441\u043d\u0430 \u043d\u0430 \u0441\u0438\u045a\u0430\u0440\u043a\u0430\u0442\u0430<\/a>
\n\u0437\u0430\u043f\u0435\u0458 \u0458\u0430 \u0442\u0432\u043e\u0458\u0430\u0442\u0430 \u043f\u0435\u0441\u043d\u0430 \u043d\u0435\u0431\u0435\u0441\u043d\u0430<\/a><\/em>
\n\u0437\u0430\u0438\u0433\u0440\u0430\u0458 \u0433\u043e \u0442\u0430\u043d\u0435\u0446\u043e\u0442 \u043d\u0430 \u043c\u0440\u0442\u0432\u0438\u0442\u0435<\/a><\/em>
\n\u0442\u0430\u043c-\u0442\u0430\u043c\u043e\u0442 \u0442\u0438 \u0435 \u0432\u043e \u043a\u0440\u0432\u0442\u0430<\/a><\/em>
\n\u041c\u043e\u043b\u0438\u0442\u0432\u0430 \u0437\u0430 \u0441\u0438\u045a\u0430\u0440\u043a\u0430\u0442\u0430 – \u043c\u043e\u0458\u0430 \u043d\u0430\u0440\u0435\u0447\u043d\u0438\u0446\u0430<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov, Reader of the Ashes, 1970\n

\n\t\t\tReader of the Ashes, 1970\t<\/h2>\n\t

THE LONG COMING OF THE FIRE\u0422<\/p>\nThe Fire’s Night<\/a>
\nThe Fire’s Retreat<\/a>
\nThe Fire’s Love<\/a>
\nThe Long Coming of the Fire<\/a>\n

READER OF THE ASHES<\/p>\nHorrordeath<\/a>
\nThe Golden Cercle of time<\/a>
\nLament from the Other Side of Life<\/a>
\nIf There Isn’t Enough Light for You<\/a>
\nTempest<\/a>
\nNight Spring<\/a>
\nAugust<\/a>
\nReader of the Ashes<\/a>\nBLACK HORSEMEN, WHITE RIDERS
\nThe Lake<\/a>
\nThe Lake by the Monastery<\/a>
\nNight Over the Lake by the Monastery<\/a>\n

BLACK SUN<\/p>\nBlack Sun<\/a>
\nAgain Black Sun<\/a>
\nAnd Yet Again Black Sun<\/a>\n

***<\/p>\nAfterword by Georgi Stardelov<\/em>
\n\u041d\u0443\u0440\u043a\u0430\u045a\u0435 \u0432\u043e \u0434\u043b\u0430\u0431\u0438\u043d\u0438\u0442\u0435 \u043d\u0430 \u0431\u0438\u0442\u0438\u0435\u0442\u043e<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov, The YUniverse, 1968\n

\n\t\t\tThe YUniverse, 1968\t<\/h2>\n\t\u0408\u0443\u0441-\u043a\u0440\u0438\u0442\u0438\u0447\u0430\u0440<\/a>
\n\u0408\u0443\u0441-\u043f\u043e\u0435\u0442<\/a>
\n\u0408\u0443\u0441-\u043f\u0440\u043e\u0437\u0430\u0438\u0441\u0442<\/a>
\n\u0408\u0443\u0441-\u0441\u0446\u0435\u043d\u0430\u0440\u0438\u0441\u0442<\/a>
\n\u0408\u0443\u0441-\u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442<\/a>
\n\u0408\u0443\u0441-\u0442\u0440\u043e\u043f\u0430\u0440\u0438\u0443\u043c<\/a>
\n\u0408\u0443\u0441-\u0441\u0430\u0442\u0438\u0440\u0438\u043a\u043e\u043d<\/a>
\n\u0408\u0443\u0441-\u043b\u0438\u043d\u0433\u0432\u0438\u0441\u0442\u0438\u043a\u0430<\/a>
\n\u0408\u0443\u0441-\u0434\u043e\u0433\u043c\u0430\u0442\u0438\u0447\u0430\u0440<\/a>
\n\u0408\u0443\u0441-\u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0430\u0440<\/a>
\n\u0408\u0443\u0441-\u0443\u043d\u0438\u0432\u0435\u0440\u0437\u0443\u043c<\/a>
\n\u0408\u0443\u0441-\u0433\u0440\u0430\u0434\u0430\u0446\u0438\u0458\u0430<\/a>
\n\u0408\u0443\u0441-\u0440\u0435\u043a\u043b\u0430\u043c\u0435\u0440\u0441\u0442\u0432\u043e<\/a>
\n\u0408\u0443\u0441-\u043c\u0438\u0442\u043a\u0430\u045a\u0435<\/a>
\n\u0408\u0443\u0441-\u0441\u043e\u043b\u0438\u0434\u0430\u0440\u0438\u0437\u0435\u0440\u0441\u0442\u0432\u043e<\/a>
\n\u0408\u0443\u0441-\u043d\u0430\u0442\u043f\u0440\u0435\u0432\u0430\u0440\u0443\u0432\u0430\u0447\u0438<\/a>
\n\u0408\u0443\u0441-\u0434\u0438\u0441\u043a\u0443\u0442\u0430\u043d\u0442\u0438<\/a>
\n\u0408\u0443\u0441-\u0432\u0440\u0435\u0434\u043d\u0443\u0432\u0430\u0447\u0438<\/a>
\n\u0408\u0443\u0441-\u043d\u0430\u0433\u0440\u0430\u0434\u0443\u0432\u0430\u045a\u0435<\/a>
\n\u0408\u0443\u0441-\u043b\u0435\u0442\u0443\u0432\u0430\u045a\u0435<\/a>
\n\u0408\u0443\u0441-\u0440\u0430\u0441\u043f\u0438\u043d\u0430\u045a\u0430<\/a>
\n\u0408\u0443\u0441-\u043e\u0442\u043a\u0443\u043f\u0443\u0432\u0430\u045a\u0430<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov, Not-Being, 1963\n

\n\t\t\tNot-Being (Nebidnina), 1963\t<\/h2>\n\t

PRAYERS OF MY BODY<\/p>\nBirth of the Word<\/a>
\nPrayer for an Ordinary Word Not Yet Found<\/a>
\nSecond prayer of my body<\/a>
\nThird Prayer of My Body<\/a>
\nFourth Prayer of My Body<\/a>
\nFifth Prayer of My Body<\/a>
\nSixth Prayer of My Body<\/a>
\nSeventh Prayer of My Body<\/a>
\nEighth Prayer of My Body, or, Who Will Conceive of That Love?<\/a>
\nNinth Prayer of My Body<\/a>
\nTenth Prayer of My Body<\/a>
\nLast Prayer of My Body<\/a>\n

 <\/p>\n

RAG-AND-BONE-MEN<\/p>\nRag-and-Bone Man<\/a>
\n\u0420\u043e\u043c\u0430\u043d\u0442\u0438\u0447\u043d\u043e \u0431\u0435\u0433\u0441\u0442\u0432\u043e<\/a>\n

THE SONG AND THE YEARS<\/p>\nLong Have I Leaved in This Place<\/a>
\nScar<\/a>
\nDown Below There Is a Blood<\/a>
\nNightfall<\/a>
\nDespair Before the Fortress<\/a>
\nNot-Being<\/a>
\nThe Song and the Years<\/a>\n

 <\/p>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: The Wind Carries Beautiful Weather, 1957\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\t!!! Manuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n

\n\t\t\tThe Wind Carries Beautiful Weather, 1957\t<\/h2>\n\t

Praeludium<\/a><\/em> (in Macedonian)<\/a><\/p>\n

THE WHITE SORROW OF THE SPRING<\/p>\nThe White Sorrow of the Spring<\/a>
\n\u0423\u0442\u0435\u0445\u0430<\/a>
\nOddball<\/a>
\nA Toast<\/a>
\nIllusion<\/a>
\nGood Night<\/a>
\nIllusion<\/a>\n

ALL KIKE OTHER SHORES\u00a0<\/p>\n\u0427\u0443\u0434\u043d\u043e \u043f\u0440\u0430\u0448\u0430\u045a\u0435<\/a>
\n\u041e\u0434 \u043a\u0430\u0458 \u0442\u0430\u043a\u0432\u0430 \u0436\u0435\u0441\u0442\u0438\u043d\u0430 \u0432\u043e \u0442\u0432\u043e\u0458\u043e\u0442 \u0433\u043b\u0430\u0441<\/a>
\n\u041c\u0430\u043a\u0430<\/a>
\n\u041e\u0447\u0438 \u0438 \u043e\u0440\u0430\u043d\u0438\u0446\u0430<\/a>
\n\u0414\u0430 \u0437\u043d\u0430\u043c<\/a>
\n\u0421\u043e\u0441\u0435\u043c \u043d\u0430\u043b\u0438\u043a \u043d\u0430 \u0441\u0438\u0442\u0435 \u0431\u0440\u0435\u0433\u043e\u0432\u0438<\/a>\n

SKY OF THE SILENCE<\/p>\n\u0409\u0443\u0431\u043e\u0432<\/a>
\n\u041f\u0435\u0441\u043d\u0430<\/a>
\n\u0414\u043e\u043f\u0440\u0438 \u0441\u0435 \u043f\u043e\u043b\u0435\u043a\u0430 \u0434\u043e \u043c\u043e\u0435\u0442\u043e \u0440\u0430\u043c\u043e<\/a>
\n\u0420\u0430\u043a\u0430\u0442\u0430 \u043d\u0435\u0433\u043e\u0432\u0430<\/a>
\n\u0417\u0430\u0432\u0438\u0441\u0442<\/a>
\nCall Me Sky<\/a>\n

IN EVERY CITY<\/p>\n\u0412\u043e \u0441\u0435\u043a\u043e\u0458 \u0433\u0440\u0430\u0434<\/a>
\nWaking<\/a>
\n\u0414\u043e\u0431\u0440\u043e \u0443\u0442\u0440\u043e \u043b\u0435\u0442\u0430\u045a\u0435<\/a>
\n\u041f\u043e\u0433\u043b\u0435\u0434<\/a>
\n\u041a\u0430\u043a\u043e \u0433\u043e\u0432\u043e\u0440\u043e\u0442 \u0433\u043b\u0443\u0432\u043e\u043d\u0435\u043c\u0438\u0442\u0435<\/a>
\nWe Have to Be Better<\/a>
\nThe Wind Carries Beautiful Weather<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: Merge with the Silence, 1955\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n

\n\t\t\tMerge with the Silence, 1955\t<\/h2>\n\t

BEAUTY<\/p>\nBeauty<\/a>
\nIn Silence<\/a>
\n\u041f\u0440\u043e\u043c\u0435\u043d\u0430\u0442\u0430<\/a>
\nOh this beauty<\/a>
\nWhen Times are Hardest<\/a>
\n\u041c\u043b\u0430\u0434\u043e\u0441\u0442<\/a>
\nI Seek my Voice<\/a>
\nTo the Seagull Circling Over My Head<\/a>
\nNotre Dame (in Macedonian)<\/a>\n

POEMS FOR THE FRIEND<\/p>\nJ\u0430\u0441 \u0438 \u043c\u043e\u0458\u043e\u0442 \u043f\u0440\u0438\u0458\u0430\u0442\u0435\u043b<\/a>
\n\u0422\u0438 \u043d\u0435 \u0441\u0438 \u0441\u0435\u043a\u043e\u0433\u0430\u0448 \u0442\u0430\u043a\u043e\u0432<\/a>
\n\u041f\u0440\u0438\u0458\u0430\u0442\u0435\u043b\u0441\u0442\u0432\u043e<\/a>
\n\u041a\u043e\u043d \u043f\u0440\u0438\u0458\u0430\u0442\u0435\u043b\u043e\u0442<\/a>
\n\u0418\u043c\u0430\u043c \u043f\u0440\u0438\u0458\u0430\u0442\u0435\u043b\u0438<\/a>
\n\u0420\u0430\u0437\u0434\u0435\u043b\u0431\u0430<\/a>\n

MINIATURES<\/p>\n\u041d\u043e\u045c\u0442\u0430<\/a>
\nLeaf<\/a>
\nStork<\/a>
\nCloud<\/a>
\n\u0412\u0435\u0440\u0433\u043b\u0430\u0442\u0430<\/a>
\nTrickery<\/a>
\nAt the Lake<\/a>
\nHunt on the Lake<\/a>
\n\u0418\u0437\u043b\u0435\u0437\u0438<\/a>
\nAn Ordinary Street<\/a>
\n\u0423\u0442\u0440\u0435<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: Verses of Suffering and Joy, 1952\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tManuscripts and typescripts (in Macedonian)\n\t\t\t\t\t<\/a>\n

\n\t\t\tVerses of Suffering and Joy, 1952\t<\/h2>\n\t

\u041d\u0435\u043a\u043e\u0458 \u043f\u0435\u0435 \u043d\u0430 \u0441\u0435\u0442 \u0433\u043b\u0430\u0441…<\/a><\/p>\n

\u0420\u0410\u0417\u0413\u041e\u0412\u041e\u0420 \u0421\u041e \u0421\u0418\u041d\u041e\u0422<\/p>\n\u0420\u0430\u0437\u0433\u043e\u0432\u043e\u0440 \u0441\u043e \u0441\u0438\u043d\u043e\u0442<\/a>
\n\u0422\u0440\u0435\u043f\u0435\u0442<\/a>
\n\u0412\u043e \u043f\u0440\u0435\u0441\u0440\u0435\u0442 \u043d\u0430 \u0436\u0438\u0432\u043e\u0442\u043e\u0442<\/a>
\n\u041d\u0435 \u0459\u0443\u0431\u0438 \u043c\u0435<\/a>
\n\u0412\u043e \u0440\u043e\u0434\u043d\u0430\u0442\u0430 \u043a\u0443\u045c\u0430<\/a>\n

\u0421\u041f\u041e\u041c\u0415\u041d\u0418<\/p>\n\u041d\u0430 \u043a\u0440\u0441\u0442\u043e\u043f\u0430\u0442<\/a>
\n\u041a\u043e\u043f\u043d\u0435\u0436\u043e\u0442 \u043d\u0430 \u0434\u0435\u0432\u043e\u0458\u043a\u0430\u0442\u0430<\/a>\n

\u0421\u0422\u0418\u0425\u041e\u0412\u0418 \u0417\u0410 \u0409\u0423\u0411\u041e\u0412\u0422\u0410<\/p>\n\u0417\u0430 \u043c\u0435\u0447\u0442\u0430 \u0448\u0442\u043e \u043d\u0435\u043c\u0430 \u0434\u0430 \u0437\u0430\u0433\u0438\u043d\u0435<\/a>
\n\u041c\u0435\u0447\u0442\u0430\u0435\u045a\u0435 \u043a\u0440\u0430\u0458 \u0431\u0440\u0435\u0433\u043e\u0442 \u043d\u0430 \u0435\u0437\u0435\u0440\u043e\u0442\u043e<\/a>
\n\u0421\u043b\u0438\u043a\u0430 \u043e\u0434 \u043f\u0430\u0440\u043a\u043e\u0442<\/a>
\n\u0415\u0441\u0435\u043d<\/a>
\n\u0413\u0440\u043e\u0431 \u043a\u0440\u0430\u0458 \u043f\u0430\u0442\u043e\u0442<\/a>
\n\u0412\u043e\u0437\u043e\u0442 \u0458\u0443\u0440\u0438<\/a>
\n\u0410\u043a\u043e \u0441\u0432\u0435\u0434\u043d\u0430\u043c \u043f\u043e\u043d\u0435\u043a\u043e\u0433\u0430\u0448 \u0433\u043b\u0430\u0432\u0430<\/a>
\n\u0417\u043d\u0430\u043c, \u0442\u0438 \u0441\u0435\u0433\u0430 \u0441\u0430\u043c\u0430 \u0437\u0430\u043c\u0438\u0441\u043b\u0435\u043d\u0430 \u043c\u0438\u043d\u0435\u0448<\/a>
\n\u040c\u0435 \u0442\u0435 \u0441\u0440\u0435\u0442\u043d\u0430\u043c \u043f\u043e\u0441\u043b\u0435 \u043c\u043d\u043e\u0433\u0443 \u043b\u0435\u0442\u0430<\/a>
\n\u041f\u0435\u0441\u043d\u0430\u0442\u0430<\/a>
\n\u041f\u043e\u0435\u0442\u043e\u0442 \u0438 \u0459\u0443\u0431\u043e\u0432\u0442\u0430<\/a>\n

\u0417\u0415\u041c\u0408\u0410\u0422\u0410 \u0418 \u0422\u0423\u0403\u0418\u041d\u0426\u0418<\/p>\n\u041f\u0440\u0432\u0430\u0442\u0430 \u0441\u0440\u0435\u0434\u0431\u0430 \u043d\u0430 \u0431\u043e\u0440\u0435\u0446\u043e\u0442<\/a>
\n\u0411\u0435\u0433\u0430\u043b\u0446\u0438<\/a>
\n\u0421\u0435\u0444\u0435\u0434\u0438\u043d<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov, On Gramos, 1950\n

\n\t\t\tOn Gramos, 1950\t<\/h2>\n\t

\u041d\u0430 \u0413\u0440\u0430\u043c\u043e\u0441<\/a><\/p>\n

\u041a\u0420\u0410\u0408 \u0413\u0420\u0410\u041d\u0418\u0427\u041d\u0410\u0422\u0410 \u041c\u0415\u0403\u0410<\/p>\n\u0421\u0432\u0435\u0442\u0443\u043b\u043a\u0438<\/a>
\n\u0412\u043e \u043a\u043e\u0440\u0438\u0458\u0430\u0442\u0430<\/a>
\n\u041a\u0440\u0430\u0458 \u0433\u0440\u0430\u043d\u0438\u0447\u043d\u0430\u0442\u0430 \u043c\u0435\u0453\u0430<\/a>
\n\u0415\u0434\u043d\u0430 \u0432\u0435\u0447\u0435\u0440 \u0432\u043e \u0433\u0440\u0430\u043d\u0438\u0447\u043d\u043e \u0441\u0435\u043b\u043e<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\n\t\t\t\t\t\t\tPDF format (in Macedonian)\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: With Our Hands, 1950\n

\n\t\t\tWith Our Hands, 1950\t<\/h2>\n\t\u0409\u0443\u0431\u043e\u0432<\/a>
\n\u041f\u0440\u0435\u0434 \u0442\u0440\u0433\u043d\u0443\u0432\u0430\u045a\u0435<\/a>
\n\u041e\u0447\u0438<\/a>
\n\u0415\u043b\u0430<\/a>
\n\u041f\u0440\u043e\u0431\u0438\u0448\u0442\u0438\u043f<\/a>
\n\u041f\u0430\u0440\u0442\u0438\u0437\u0430\u043d\u0441\u043a\u0430 \u043f\u0440\u043e\u043b\u0435\u0442<\/a>
\n\u041c\u0430\u0440\u0448 \u043d\u0430 \u0422\u0440\u0435\u0442\u0430\u0442\u0430 \u043c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0430 \u0443\u0434\u0430\u0440\u043d\u0430 \u0431\u0440\u0438\u0433\u0430\u0434\u0430<\/a>
\n\u0421\u043e \u043d\u0430\u0448\u0438 \u0440\u0430\u0446\u0435<\/a>
\n\u0412\u043e \u0434\u0435\u043d\u043e\u0432\u0438\u0442\u0435 \u0438\u0434\u043d\u0438<\/a>
\n\u0418\u0441\u0442\u0440\u0430\u043d\u043a\u0430<\/a>
\n\u0417\u0430\u0434\u0440\u0443\u0436\u043d\u0430 \u043f\u0435\u0441\u043d\u0430<\/a>
\n\u0408\u0435\u0441\u0435\u043d\u0438\u0446\u0435<\/a>
\n\u0417\u0430 \u0459\u0443\u0431\u043e\u0432\u0442\u0430 \u043d\u0430\u0448\u0430 \u0434\u0435\u043b\u0430\u0442\u0430 \u045c\u0435 \u043a\u0430\u0436\u0430\u0442<\/a>
\n\u0412\u043e \u0433\u0440\u0430\u0434\u043e\u0442 \u043d\u0430 \u041e\u0440\u0446\u0435\u0442\u0430<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov and Slavko Janevski : Railway of Youth, 1946 \n

\n\t\t\tRailway of Youth, 1946\t<\/h2>\n\t

\u0417\u0410 \u041f\u0420\u0423\u0413\u0410\u0422\u0410 \u041d\u0410\u0428\u0410<\/p>\n\u0417\u0430 \u043f\u0440\u0443\u0433\u0430\u0442\u0430 \u043d\u0430\u0448\u0430…<\/a>
\n\u041f\u0440\u0432\u0438 \u0441\u043b\u043e\u0432\u0430<\/a>
\n\u041c\u0438\u043d\u0435\u0440\u043e\u0442<\/a>
\n\u0412 \u0434\u0435\u043d\u043e\u0432\u0438\u0442\u0435 \u0438\u0434\u043d\u0438<\/a>
\n\u0418\u0441\u0442\u0440\u0430\u043d\u043a\u0430<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\t\t\t\t\n\t\t\t\t\"Aco\n\t\t\t\t<\/a>\n\t\t\t\t\t\tAco \u0160opov: Poems, 1944\n

\n\t\t\t\u041f\u0435\u0441\u043d\u0438, 1944\t<\/h2>\n\t\u0411\u043e\u0440\u0431\u0430<\/a>
\n\u041a\u0430\u0440\u043f\u043e\u0448<\/a>
\n\u0411\u043e\u0440\u0431\u0430\u0442\u0430 \u043d\u0430 \u0414\u0440\u0435\u043d\u0430\u043a<\/a>
\n\u041f\u0440\u0435\u0442\u0441\u043c\u0440\u0442\u043d\u043e \u043f\u0438\u0441\u043c\u043e \u043d\u0430 \u0435\u0434\u0435\u043d \u043f\u0430\u0440\u0442\u0438\u0437\u0430\u043d<\/a>
\n\u041f\u0440\u043e\u0431\u0438\u0448\u0442\u0438\u043f<\/a>
\n\u0421\u043e\u043d<\/a>
\n\u041a\u0440\u0430\u0442\u043e\u0432\u043e<\/a>
\n\u041e\u0434\u0440\u0435\u0434\u043e\u0442 \u0413\u043e\u0446\u0435 \u0414\u0435\u043b\u0447\u0435\u0432 \u0438\u0437\u0434\u0430\u0434\u0435\u043d<\/a>
\n\u0409\u0443\u0431\u043e\u0432<\/a>\n\t\t\t\n\t\t\t\t\t\t\tInformation about the book\n\t\t\t\t\t<\/a>\n\n","protected":false},"excerpt":{"rendered":"

Poetry Shelf In this section of the Reading Room of\u00a0Aco\u00a0\u0160opov’s\u00a0Lyrical House, you will find a wide selection of poems of the Macedonian poet translated into English, in the vast majority of cases, by Christina E. Kramer and Rawley Grau, published in The Long Coming of the Fire. Direct access to a selection of the most…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":77285,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-98423","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/pages\/98423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/comments?post=98423"}],"version-history":[{"count":11,"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/pages\/98423\/revisions"}],"predecessor-version":[{"id":103889,"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/pages\/98423\/revisions\/103889"}],"up":[{"embeddable":true,"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/pages\/77285"}],"wp:attachment":[{"href":"https:\/\/www.acosopov.com\/en\/wp-json\/wp\/v2\/media?parent=98423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}